They never needed you or me.
One summer dream, one summer dream.
Blue mountains high and valley low,
I don't know which way I should go,
One summer dream, one summer dream.
Warm summer breeze blows endlessly,
Touching the hearts of those who feel,
One summer dream, one summer dream.
Bird on wing goes floating by,
But there's a teardrop in his eye,
One summer dream, one summer dream.
One summer dream, one summer dream.
Lyrics submitted by Kenobi65
An oblique stroke or virgule is a symbol used in differing circumstances to create different meanings.: Five other works focus on shadow pictures created by bright light cast at an oblique angle across various relief materials attached to the wall. Follow Your Favorite Artists. Easily follow and track your favorite artists on SongMeanings! Be the first to know about new lyrics, song meanings & more! The Police – Every Little Thing She Does Is Magic. Panda Bear had a comment on Every Little Thing She Does Is Magic rated up by sebrina le. Apr 19, 2013 Drakkar Noir Lyrics: You could do it better, Drakkar Noir / Cheap fixtures, religious tales / Light a cigarette for two, you're too close to get to / How come everyone knows you before they meet you. EF Futura® Turkish Medium Condensed Oblique. Available for Desktop use. Checkout In Cart (0) Desktop 35 35.00 35.
One Summer Dream Lyrics as written by Jeff Lynne
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
Log in now to tell us what you think this song means.
Don't have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It's super easy, we promise!
Found on more albums:
Flashback
The Collection [Box Set]
The Collection [Cube Version]
Face the Music [Bonus Tracks]
The Very Best of Electric Light Orchestra, Vol. 2: Ticket to the Moon
Original Album Classics
Eldorado/Face the Music
Face the Music
After hearing so many art bands buried in their own sense of self-importance, it's refreshing to bask in the modesty of Athens' Oh-OK. Like R.E.M. (with whom they share a family tie), this humble group put their elliptical ideas over as much by being good guys as anything else.
Oh-OK was a guitarless trio on the 7-inch Wow, offering four clever and tuneful songs that get their drive from Lynda (sister of Michael) Stipe's pumping bass and their charm from Linda Hopper's breathy singing: a delightful mix of Pylon and the female side of the B-52's.
With a new drummer and guitarist Matthew Sweet joining Hopper and Stipe, Furthermore What (a six-song 12-inch, co-produced by Mitch Easter) has dreamy melodies, oblique lyrics, ringing guitars — it is the New South, after all — and quirky, minimalist arrangements that hover just outside the pop realm. This kind of undersell rarely ascends to greatness, but Oh-OK is a distinctly fresh pleasure.
Following Oh-OK, Sweet formed the Buzz of Delight, a sugary pop duo, with original Oh-OK drummer David Pierce. The six finely wrought tunes on Sound Castles capture the essence of airy Southern power-pop and are ultimately delightful.
Hopper, meanwhile, formed Holiday with Lynn Blakey (also a singer/guitarist/songwriter) and a rhythm section. Recorded in 1985, the 12-inch Hello makes good use of the women's vocal interplay on five light and sprightly songs that have an appealingly casual sense of accomplishment. (More recently, Hopper has been fronting a new quartet that changed its name from Homemade Sister to Swell.)
Lightweight Obliques Lyrics Meaning
Although her name is Lynda L. Limner, the Hetch Hetchy singer with a sometimes harsh loud-soft-loud style is the selfsame Stipe sister. (Michael produced the trio's six-song debut.) From the lightly laughing clarinet that opens 'Retarded Camel' through chunks of darkly deep guitar and lots of smooth new music electronic keyboards, the melodic group — named after a valley in Yosemite National Park — creates the kind of lightly arty pop-rock that college radio eats for breakfast, lunch and dessert.
Lightweight Obliques Lyrics Printable
With production by Hugo Largo's Tim Sommer, Hetch Hetchy — now a duo of Limner (vocals, bass, guitar and keyboards) and Jay Totty (bass and guitar), assisted by local singers and players — moves into tastefully restrained atmospheric vagueness on Swollen. Some of the songs use drums and a few ('Satanette,' 'Retsina,' 'Mother's Drum') actually have decisive melodies but, for the most part, this is sub-Largo background music in need of a spine.
